You cheered the fact that Jackson & Co. were able to put together a festival at all. With queries about trauma, loyalty, and race on its mind, On the Count of Three achieves something near impossible in its conclusion, distilling its themes into something both heartbreaking and disarmingly hopeful. The Best Credit Cards Of 2021. A certain Joni Mitchell song featured here will bring even the fiercest skeptics of sentimentality to tears. God bless you, Neon and Participant, for picking this one up for co-distribution. —ZS 2021 Sundance: Best Movies : Pop Culture Happy Hour One of the most anticipated moments of any year in movies is the Sundance Film Festival. The deserving winner of this year’s Grand Jury Prize in the U.S. And it was a strong year for documentaries, especially ones that traded in the usual moon-spoon-June nonfiction format for something more experimental, abstract and unique. Sure, you can hardly go wrong with watching the likes of Nina Simone, Stevie Wonder, Mahalia Jackson, and Sly and the Family Stone in a breathtaking parade. KAC, Pacho Velez (Manakamana, The Reagan Show) tackles the lonely predicament of online dating with humor, aplomb, and curiosity. So he pays a crew of men to uproot it from a Georgian forest and transfer it to his own private garden. Sign up for our newsletter. Lyle Mitchell Corbine Jr.’s pressure cooker of a movie flew slightly under the radar in this year’s U.S. 'Wild Indian,' 'Summer of Soul' and 'The Dog Who Wouldn't Be Quiet' — Rolling Stone's picks for the best Sundance 2021 movies The Sundance Institute, 3 If this is the future of romantic connection, the movie suggests, it’s a future with neither immediate promise nor an utter lack of possibility. Culturess 1 month Trailer for Zack Snyder's Justice League teases darker story, better villains. KAC, In This Article: Courtesy Sundance Institute. Nominally set in the present among Hawaii’s Japanese community, it’s the story of man (the wondeful Steve Iwamoto) who abandoned his children after his young wife (played by Constance Wu) passed away decades ago. A piercing power similar to the kind possessed by this sequence quietly lingers throughout Rasmussen’s miraculous memory piece, which gently mines the depths of its subject’s journey with eloquence. (Apple set a new record by paying $25 million for CODA, a dramedy about a child of deaf parents who’s an aspiring singer, and which won both the audience and jury awards for Best U.S. Date TBD. Celebs. In short, this particular festival was one for the books in more ways than one, setting an example for how well-utilized technology can both uphold and augment long-standing moviegoing traditions held dear by film lovers. Well, Sundance is over and we’re all breathing a collective sigh of exhausted relief. A fascinating host of reflections on vanity, loneliness, on the differences between our manicured digital selves and the disappointments of our flesh-and-blood realities arise. But narrative films and documentaries alike still seized the moment, speaking to our times of the virus and quarantine, political turmoil, gun violence, and refugee crisis in sharp and thought-provoking ways. Date TBD. Culturess 1 month Zawe Ashton lands villain role for Captain Marvel sequel. Years later, this nameless, now-grown protagonist is a successful academic who’s settled down a supportive boyfriend. It’s central conceit is brilliant: He interviews array of New Yorkers ranging from straight to genderqueer, early 20s to mid-70s, single to polyamorous, “looking for love” to “looking for a good time.” But the conversations are predicated on their scrolls through Tinder, Grindr, Match.com, a site for older singles, and yet another for sugar babies and their daddies. A fly-on-the-wall account of their everyday realities coddled by warm temperatures, Cusp holds up a candid mirror to the grim shades of a slice of Americana with beguiling earnestness. It’s a testament to what’s here that I can’t help but crave to see that longer, fuller version while still being bowled over by the punch the current movie already packs. Jockey will be released by Sony Pictures Classics. But under the superb leadership of the newly minted festival director, Tabitha Jackson, the former head of the Sundance Institute’s documentary film program, Sundance maintained its independent spirit despite the odds, expanding Park City’s intoxicating atmosphere beyond the mountainous skirts of Utah. From excursions into the history of war machines and the early history of cameras to a near-surrealistic tour of Axon International, the most prominent producer of police body cams in the country (how does he convince the company’s head to give him so much unmitigated access? But it’s maestro Questlove’s faultless mixing and spinning that contextualizes the material’s liberating character. Unfolding around a pair of strangers who find themselves stuck in an elongated lockdown when a deadly, cotton candy-colored puff appears in the sky, The Pink Cloud casts an oddly therapeutic spell through its ominous perceptiveness of coupledom, solitude, and isolation in the age of a worldwide health crisis, with thoughtful camerawork and surreal production design elements propelling its observations into spine-tingling familiarity. But watching it felt like discovering a significant new cinematic voice in the vein of Sean Durkin with an unassailable point of view. age of “new normal,” feel a sharp pang of longing. Sundance 2021: The best films from this year’s festival. It lays out a complicated argument about ecology, economics, compromise, class, and humanity’s need to conquer and/or “tame” nature without resorting to an attack via polemics. Every product on this page was chosen by a Harper's BAZAAR editor. A top-shelf addition to the Indigenous canon, Wild Indian pulsates with well-calibrated tension and a rare kind of vitality in its shrewd examination of today through the eyes of history. KAC, Shaka King’s tensely complex drama begins and ends with its Judas, William O’Neal (Lakeith Stanfield), talking for the first time in a public interview about his role in helping take down the film’s Messiah: Fred Hampton (Daniel Kaluuya), the 22-year-old chairman of the Illinois chapter of the Black Panthers. Best Films From Sundance 2021: Hollywood Reporter Critics Pick 15 Favorites. Thompson’s film is a step towards righting that wrong. Instead, it tracks the last stretch of the black political icon’s life, leading right up to the brutal FBI raid that the informant’s intel made possible. Ryan Lattanzio Apr 11, 2021 3:56 pm Date TBD. While our experiences were wildly different, with Tim watching at least 7 films a day and cranking out reviews, while Rob and I … KAC, Were Ahmir “Questlove” Thompson’s look back at the series of shows that took place in Harlem’s Mount Morris Park in the summer of ’69 nothing but musical performances, the fruits of his labor-of-love would make for a near-peerless concert film: A 19-year-old Stevie Wonder jumping in front of his keyboard before banging out a manic drum solo. Here are the 12 best movies we saw at this year’s Sundance. With soulful echoes of Steve James’s masterful Hoop Dreams, war correspondent-turned-filmmaker Ali El Arabi’s artfully lensed documentary invites viewers into the world of two soccer-obsessed Syrian teenagers, dreaming of leaving their Jordan-based refugee camp behind for a better future. Next: A round-up of the best films from Sundance 2021: Part 1 . Sly and the Family Stone at their peak, reminding you that funk is both a noun and a verb. It’s a contextualized look at a specific moment — in Harlem’s history, in African-American history, in American history — that reminds you just how much the music acted as a salve for state-institutionalized violence, a celebration and a catalyst for change. Make sure to check out the first part of our Sundance 2021 round-up by clicking the link above! These are a dozen films that made our Sundance 2021 worthwhile. Instead of hovering over their shoulders or using CGI bubble-text onscreen (the de facto norm for films depicting modern communication), Velez has his subjects face the screen and lets the audience see the swiping right or left, answering inane personality questions, and all the rest, as the profiles rush by in front of both our eyes and theirs. If the scaling down of the usual competition, premiere and sidebar-programming lineups meant that your chances of finding a movie that you were really passionate about were a little slimmer, however, it was still possible to see the kind of bold, audacious, and bleeding-edge work that’s kept people coming back to the fest over the years. The more unhinged of the two, meanwhile, goes on to live prosperously, even as his spirit rots. Culturess 1 month Barb and Star Go To Vista Del Mar Review: An acid trip buddy comedy. Captains of Zaatari. Courtesy Sundance Institute. Send us a tip using our anonymous form. (Call it Kidyaanisqatsi.) “This would have killed at the Eccles” was a phrase you saw on social media more than once. A critique of affluent boredom, an exploration of adolescent anguish, a parenting lesson by way of Yorgos Lanthimos—designed with a disquieting sense of minimalism (Sisto is also an installation artist), John and the Hole is all of these things and something even more in the aftermath, thanks to its alarming open-endedness. Both an acting showcase from some of the finest actors working today and a necessary reckoning with the past, Judas and the Black Messiah is what we mean when we say timelyand urgent. Here's the best stuff we saw, ranked. Fingers crossed. She employ a small crew of camera people on the ground in Wuhan (a practicality-turned-directorial masterstroke) to capture as much as they could of interactions in apartment complexes and hospital rooms and on the increasingly empty streets — meaning that the footage, though recorded at the behest of this project, is also tangled up in the intentions and attentions of those doing the filming. Clockwise from left: “Passing,” “I Was a Simple Man,” “Flee,” “Rita Moreno,” “Judas and the Black Messiah”. Harper's BAZAAR participates in various affiliate marketing programs, which means we may get paid commissions on editorially chosen products purchased through our links to retailer sites. The Best Movies We Saw at Sundance 2021 Of the more than 70 features at the festival, these are our favorites, including the latest from Ben Wheatley and the first from Questlove. CODA will be released by Apple after a record-breaking $25 million deal. Warner Bros. Pictures will release Judas and the Black Messiah in theaters and on HBO Max on Friday, February 12. It features two astonishing performances from Michael Greyeyes (of 1996’s Crazy Horse and, more recently, Woman Walks Ahead) and Chaske Spencer (TV’s Banshee), is already rare for being a film about American indigenous people set in the present — which isn’t to say that it doesn’t have one foot set firmly in the past. DF, The single most impassioned, surprising, and intelligently designed film I saw at Sundance this year was Nanfu Wang’s COVID-19 chronicle, a story very much cut from the same cloth as her essential 2019 documentary One Child Nation. Dramatic Competition. A project of deep personal meaning for Hall, who comes from a mixed-raced background and presents as white, this complex account of American racism is seen through the eyes of two white-passing Black women in 1920s Harlem (Tessa Thompson and Ruth Negga in mesmerizingly fine-tuned performances), with one of them choosing to disguise her Blackness from her white husband and the society. Top Stories. After his remote, swing-and-a-miss adaptation of Daphne du Maurier’s Rebecca, the British filmmaker returns to more familiar grounds, following a scientist (Joel Fry) and a park ranger (Ellora Torchia) as they try to find a remote forest outpost that may have found a cure for, yes, a deadly virus that’s ravaging the globe. Honoring the majestic tradition of horse movies with sweeping widescreen vistas and lyrical shots of crimson dusks, Clint Bentley’s poetic character study of an ailing jockey at the rear end of his career recalls The Wrestler through an enduring story of parental affection and spiritual healing. DF, A young boy growing up in Afghanistan in the 1980s watches as his older brother goes AWOL after being forcibly recruited by the Mujahideen to fight the Soviets. Adapted from Nella Larsen’s 1929 novel by Hall with a knowing sense of melancholy and quiet psychological unease, Passing is among the most major films that came out of this year’s Sundance with its incisive lens focused on a gray area of racial identity rarely spelled out in contemporary cinema. It’s a moment of great narrative finesse and empathy with the story’s gay protagonist, an Afghan refugee who tells his own perilous tale of survival anonymously, opening up to his siblings about his sexuality. From Nic Cage’s latest to a powerful Rita Moreno documentary, 2021’s Sundance line-up looks to be one of the best in recent memory. With visual grace and an unambiguous ideological perspective, El Arabi deftly articulates that it’s fair opportunities, not pity, that people like his film’s central characters, Mahmoud and Fawzi, deserve. The existential, claustrophobic, cozy, and horny quarantine movie you didn’t know you needed, Iuli Gerbase’s intimate chamber piece was amazingly conceived and filmed pre-COVID-19. In his stunning directorial debut, the multi-hyphenate artist and living music legend Ahmir “Questlove” Thompson not only puts a year of seismic shifts and the summer of Woodstock in renewed historical perspective by shifting the focus to another comparatively underappreciated event, but also reclaims a forgotten piece of Black culture with aching timeliness. Consequently, the festival’s 2021 edition yielded no standing ovations, no frosty lines outside of screening venues or parties, and no amusing Twitter-based complaints about the perennially late and overpacked shuttle busses. But for folks who still clung to their memories of last year’s event — which, along with Berlin, was one of the few 2020 festivals to go off without a hitch before the world shut down — it was hard not to filter the 2021 edition through the lens of the “old normal” and, as with so many other things in our (temporary?) It’s central conceit is brilliant: He interviews array of New Yorkers ranging from straight to genderqueer, early 20s to mid-70s, single to polyamorous, “looking for love” to “looking for a good time.” But the conversations are predicated on their scrolls through Tinder, Grindr, Match.com, a site for older singles, and yet another for sugar babies and their daddies. Over the course of 5 days, we cumulatively watched over 50 features and shorts. Fans of Kill List and A Field in England — the latter’s pagan-lysergic, Old Weird Britannia vibe is an especially big influence on this — will be please to see that Wheatley’s ability to infuse a genre with singularly unnerving, destabilizing touches has not dimmed. Virtual film-party room or not, you were also keenly aware of everything that was lost by the necessity of making it an isolated experience that was replicating a traditionally communal one. Perhaps the pickings were slimmer in number this year, an expected side effect of COVID-19’s impact on the industry. The 2021 edition of Sundance Film Festival went virtual but didn't skimp on the cool independent cinema. There was still chatter about bidding wars, it just wasn’t happening in hotel-lobby bars this time. The Best Movies at the 2021 Sundance Film Festival We're not trudging through the slush in Park City, Utah, this year, but we're still watching virtually. This isn’t a fully-fledged biopic, and doesn’t attempt to trace the full lives, the rises and falls, of these men from beginning to end. Imagine Sofia Coppola’s The Virgin Suicides or Deniz Gamze Ergüven’s Mustang in documentary form, and you will get a sensory taste of this near-surreal, sun-dappled, angst-ridden gem from co-directors Parker Hill and Isabel Bethencourt. Courtesy Sundance Institute. Help Center Contributor Zone Polls. The mere fact that it’s taken decades for anyone to see this footage is a crime. Culturess 1 month Trailer for Zack Snyder's Justice League teases darker story, better villains. KAC, Borrowing pages — or more accurately, whole chapters — from Luis Buñuel’s playbook, Argentine filmmaker Ana Katz runs a hapless, sometimes hopeless young man named Sebastian (Daniel Katz, the director’s brother) through a series of oddball scenarios: Neighbors harangue him about his noisy dog (who we never hear bark). Impressively polished and inarguably big-screen mainstream, it owns a proud sense of risk-taking. Just how intimately acquainted Hill and Bethencourt’s subjects already are with rape culture is both eye-opening and impossible to shake. ), Anthony leaps between settings, and contexts, and periods in time. Boyhood (2014) 3. A record number of critics voted in this year's survey, showcasing some of the buzziest titles out of the festival. Make sure to check out our second round-up of watch-worthy films from Sundance 2021 by clicking the link above! Menu. The 2021 festival was like no other, but the films nonetheless delivered. Sundance Institute. Embrace of the Serpent (2016) 5. We want to hear from you! 6:00 AM PST 2/4/2021 by David Rooney , Sheri Linden , Jon Frosch , Daniel Fienberg , Leslie Felperin , Jourdain Searles Critics Survey: Sundance 2021's Best Movies According to 376 Critics ... With the backing of Neon, “Flee” is bound to go down as one of the best films of 2021. It’s a reclamation in more ways than one. And if you think America is let off the hook, definitely think again. Theo Anthony’s titillating and almost unspeakably eerie essay film — his first full-length feature since the equally pointed and free-flowing Rat Film (2016), about race and poverty in Anthony’s hometown of Baltimore — is a collage of ideas and images, associative provocations and revelations, that carefully twine the long connection between of image-making and violence. Having experienced a few pandemic-corrective festivals already over the past 10 months, a lot of critics and journalists were already familiar with the drill: log on instead of line up, chat with your peers about recommendations via text and Twitter instead of live and in person, stroll to your bathroom between screenings instead of sprinting to catch shuttles. Cusp. Except this one was like no other, having mostly moved to the virtual space due to the ongoing pandemic, save for a handful of in-person outdoor screenings and events taking place around the country. Luzzu (Alex Camilleri), Mass (Fran Kranz), The Sparks Brothers (Edgar Wright), Users (Natalia Almada), Pleasure (Ninja Thyberg), Gucci Hacks Balenciaga for 100th Anniversary Show, Shop the Summer Bags That We Can't Stop Staring At, 4 Iconic Watches to Know If You're New to the Game, An Audrey Hepburn TV Series Is in the Works, These Woman Are Changing Menswear as We Know It, This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. The fact that Rasmussen animates this immigrant’s tale somehow makes it even more graceful and gutting; there’s a sequence near the end that earns the sobs it inspires precisely because of how it’s presented. Jockey. … If this is the future of romantic connection, the movie suggests, it’s a future with neither immediate promise nor an utter lack of possibility, Borat Causes More Mayhem in New ‘Supplemental Reportings’ Trailer, Pete Townshend on the Who’s Uncertain Future and the Legacy of ‘The Who Sell Out’, Greta Van Fleet Erect a Cathedral of Neo-Zeppelin Overkill on ‘The Battle at Garden’s Gate’, Triller Fight Club Live Stream: How to Watch Jake Paul vs. Ben Askren Boxing Fight Online. Nina Simone turning “Backlash Blues” into the equivalent of a boxing match. Mahalia Jackson and Mavis Staples together, taking everyone to church. Top 50 Best Films of 2021. Dramatic Feature.) Date TBD. We may earn commission on some of the items you choose to buy. Tomris Laffly is a freelance film writer and critic based in New York. It deserves the widest audience possible. Exit Through the Gift Shop (2010) 4. This is a documentary that doubles as a drive-by shooting with silencers. A fascinating host of reflections on vanity, loneliness, on the differences between our manicured digital selves and the disappointments of our flesh-and-blood realities arise. The stand-up comedian’s high-wired, jauntily paced bromance (starring Carmichael himself and the always great Christopher Abbott) bursts with heart and humor, as well as an undercurrent of gloom trailing its central down-on-their-luck duo on an accelerated life journey of unexpected twists and turns. Dramatic section—the Grand Jury Prize, the Directing Award, an Audience Award, and the Special Jury Award for Best Ensemble—writer-director Siân Heder’s winsome dramedy follows high schooler Ruby (a sensational Emilia Jones), the only hearing member of her family, as she reconciles her passion for singing with her parents’ expectations. DF, The sense of raw potential in Lyle Mitchell Corbine, Jr.’s debut feature couldn’t be more stark. It’s a story not of the threats posed to white American expansionism and well-being, but as an existential story about a man’s alienation from himself and his identity, and how that destroys a community from inside. February 5, 2021. We knew this. No film has lingered in my memory longer than Salomé Jashi’s deceptively simple spare look at both the physical process of moving this massive living thing and the conflict it engenders among a village’s locals. We may want to reconsider the ramifications sooner rather than later. And there were still virtual talks, panels, a boundary-pushing New Frontier program, and online parties that preserved a sense of unity between audiences and storytellers around the globe. It’s an apocalypse-on-the-verge movie that makes you feel as if the film itself is coming apart at the seams. It was a given that this year’s all-virtual, all-living-room-screenings-all-the-time Sundance was going to seem a little strange. The hits (and misses) of this year’s virtual indie-palooza. Documentary Competition, this sizzling concert film is a resurrected piece of power-to-the-people art, featuring dizzyingly rich footage from 1969’s Harlem Cultural Festival that has been sitting in a basement for more than five decades. From a postapocalyptic genre flick to a handful of brilliant, offbeat docs about our current moment — these were the films at this year’s festival that moved and marked us, 'Wild Indian,' 'Summer of Soul' and 'The Dog Who Wouldn't Be Quiet' — Rolling Stone's picks for the best Sundance 2021 movies. By Isabel Jones. ... Best 20 Movies of 2021 a list of … A feat of humanistic filmmaking, this is a movie we will be celebrating all through next year’s awards season and talking about long after. Next: The best films from Sundance 2021: Part 2 . 1. Instead of hovering over their shoulders or using CGI bubble-text onscreen (the de facto norm for films depicting modern communication), Velez has his subjects face the screen and lets the audience see the swiping right or left, answering inane personality questions, and all the rest, as the profiles rush by in front of both our eyes and theirs. Thankfully, Jerrod Carmichael’s explosive feature debut does more than right by this risky premise, becoming exactly the kind of chancy artistic gamble you attend Sundance for. Restraint is the word that best articulates Rebecca Hall’s elegant Passing, the actor’s moving, assured directorial debut shot in luminous black and white. KAC, Welcome back, Weird-as-fuck Ben Wheatley — we’ve missed you. “This film was written in 2017 and shot in 2019.”. In the process, entire histories — ethnic, national, familial, political — get teased out with a subtlety and breadth that will take you aback. One of the most awe-inspiring films at Sundance this year was Dash Shaw’s animated odyssey Cryptozoo. By Jordan Farley, Jane Crowther 04 February 2021. Now, in the wake of terminal illness, he’s visited by ghosts — hers and others. Passing will be released by Netflix. Best Films of Sundance 2021. DF, Sight unseen, it’s tempting to write off Natalia Almada’s experimental take on technology and its effect on how the next generations will process the world around them as the parental version of those vintage “world out of balance” time capsules. A scan of the movies that are already buzzing ahead of the 2021 Sundance Film Festival. It’s a film very much alive with conflicts and contrasts, and doesn’t make excuses for its Judas — or even, in a firm or unquestioned way, beg for sympathy. The 8 Best Movies We Saw at the 2021 Sundance Film Festival. What he has given us instead, however, is far more vital. Feb 3, 2021 2:00 pm. The Best New Movies To Stream On Netflix, Amazon, Hulu, HBO, Disney+ And Peacock This Weekend ... including Toronto and Sundance. An Eastern European billionaire has decided he wants that specific tree to call his own. The filmmaking duo follows three small-town Texan teenage girls through their sleepy hangouts and boozy parties to gradually honor the sensitive gradients of girlhood without the filtered sheen of social media. From CODA to Judas and the Black Messiah, these are our favorite films that premiered at Sundance. And when the new festival director Tabitha Jackson presented her opening remarks about the importance of storytelling and giving neglected voices a platform, it felt very much like the Sundance’s kick-offs of yore, with the addition of the serious bookshelf envy you experienced after catching a glimpse of her cozy apartment. The British Film Academy honored the best movies of the year on Sunday night, with "Nomadland" dominating the evening. Then a mysterious stranger (Reece Shearsmith) crosses their path, and shit gets properly weird and tres fucked up. CODA. Two young boys of the Anishinaabe nation are thrown asunder by a crime, for which one of them pays the price of incarceration. Not just because the images, starting with that opening shot of something that immediately feels both beautiful and wrong, are breathtaking. After a bidding war that broke records for Sundance, Sian Heder’s film sold to Apple for $25 million. I guess I do have to count this as a 2021 movie but screw it this whole award season has fucked everything up. Arriving later in Jonas Poher Rasmussen’s expressively animated documentary, a flawless scene in Flee, scored to Daft Punk’s melancholic “Veridis Quo,” brings home the film’s emotional resonance about identity and acceptance. Critics Survey: Sundance 2021’s Best Movies According to 376 Critics. Movies. This is a movie that invents its own sense of time and narrative, moving with an unnerving clip between grounded reality and pained fantasy, past and present, the rotting natural world and the internal rot of the figure at its center. Taxi to the Dark Side (2007) This documentary shows the side of war you almost never get to hear about.
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