Selected Songs Alt ernative. Adding to this is the text’s own on contrasting ideas. shuqi Le 27/03/2006 à 22:33 Si je ne m'abuse, c'est cette version de " - The Deller Consort -- Maurice Bevan, Bass/Baritone -Version issue du film Molière d'Ariane Mnouchkine. For a 16-year-old trying to find a place of belonging and some protection from the abuse at home, she’s found a dead end. He decides he must persuade Oswald to fight for him. I can scarcely move, Or draw my breath, I can scarcely move, Or draw my breath. The cold song Gesang-M (BAR) Klavier Purcell Henry Gesang-M (BAR) Klavier CHF 10.50 Come ye sons of arts Gesang (1-2) Instrumente (2-6) Cembalo Purcell Henry Gesang (1-2) Instrumente (2-6) Cembalo What power art thou, who from below Hast made me rise unwillingly and slow From beds of everlasting snow See’st thou not how stiff, how stiff and wondrous old Far unfit to bear the bitter cold, I can scarcely move or draw my breath Let me, let me freeze again to death. The tale centres on Arthur's endeavours to recover his fiancée, the blind Cornish Princess Emmeline, who has been abducted by his arch-enemy, the Saxon King Oswald of Kent. "What power art thou who from below" was recorded by Klaus Nomi on his eponymous first album as "The Cold Song". 24. This production left the work unaltered, but later revivals involved varying degrees of revision. Cold Song Henry Purcell. View credits, reviews, tracks and shop for the 1982 Vinyl release of "Nomi The music’s icy expressiveness also furthers the dumbfounding, but complex proclamation her father makes about her character when he states in the film’s final scenes that she will “never really love anyone.”. King Arthur, H. Purcell : Cold Song. Aria of the "Cold Genius" from Henry Purcell’s 1691 opera "King Arthur or, The British Worthy." Purcell. Interpretation based on political allegory, By James Winn, referred to by Dearing in the notes to, Anthony Ashley-Cooper, the Earl of Shaftesbury, "King Arthur or The British Worthy: Libretto", "Purcell: King Arthur (Libretto in English)", A small part of the complete text & essay, Funeral Sentences and Music for the Funeral of Queen Mary, https://en.wikipedia.org/w/index.php?title=King_Arthur_(opera)&oldid=1003277064, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, Gilman, Todd, S., "London Theatre Music: 1660–1719", in Susan J. Owen (ed.). The masque fails to persuade Emmeline and Osmond resorts to force but the captive Grimbald's shouts interrupt him. 'Tis I that have warm'd ye (Cupid, chorus of Cold People) 29. Januar 2013, 21:59. Betterton himself took the role of King Arthur, despite being in his fifties. The cold song Purcell Henry Gesang-T (A) Klavier Musikverlag B-Note Noten Gesang Sologesang Gesang tief Alt She might as well “freeze to death” at this point. Edward J. Dent wrote that "The Frost Scene is one of Purcell's most famous achievements" with "its bold contrasts of style, and the masterly piling up of the music to a climax at the end of the chorus ''Tis love that has warmed us'. oder meinen Atem ziehen. In the context of the film’s narrative, this is Suzanne’s emotional low point. The "Frost Scene" in the third act has always attracted praise from critics. This was his last live performance, and he passed away at the age of … Included tempi: 2 (73, 80) Link to find the sheetmusic: https://imslp.org/wiki/The_Fairy_Queen%2C_Z.629_ (Purcell%2C_Henry) All opera arias for Basses and Baritones: https://myclassicalkaraoke.com/product-categorie/opera/voicetype/bass-and-baritone-opera. Zum Original Songtext von The Cold Song. They fight and Arthur disarms Oswald. (Music by Henry Purcell, Lyrics by John Dryden) What power art thou, Who from below, Hast made me rise, Unwillingly and slow, From beds of everlasting snow! Auf Facebook teilen Facebook Übersetzung twittern Twitter Whatsapp. Now his magic has been destroyed, Osmond is terrified of the approaching Arthur. Merlin conjures a vision of the ocean around Britain. This week’s installment features Maurice Pialat’s “A Nos Amours.”. Lesen Sie weiter. Thou doting fool (Cupid) 24. See'st thou not how stiff, And wondrous old, Far unfit to bear the bitter cold. Merlin leaves Arthur at the entrance to the wood with the spirit Philidel as his guide. Dans l'opéra de Purcell, l'air est suivi par un chœur inspiré du Chœur des Trembleurs que Jean-Baptiste Lully avait composé en 1676-1677 pour sa tragédie lyrique Isis (livret de Philippe Quinault ). [16], Dryden also used material he found in epic poetry: the idea of the "enchanted wood" is taken from Canto XVII of Tasso's Gerusalemme liberata;[14] and Andrew Pinnock suggests the rivalry between Arthur and Oswald is like the conflict between Gondibert and Oswald in Sir William Davenant's unfinished poem Gondibert (1650). "[21] This aria ("What power art thou who from below") is accompanied by shivering strings, probably influenced by a scene from Act IV of Jean-Baptiste Lully's opera Isis (1677) but, as Peter Holman writes, Purcell's "daring chromatic harmonies transform the Cold Genius from the picturesque figure of Lully (or Dryden, for that matter) into a genuinely awe-inspiring character — the more so because Cupid's responses are set to such frothy and brilliant music. Das Libretto des Werks, das den Untertitel „The British Worthy“ (Der britische Held) trägt, stammt von John Dryden, seine Musik schrieb Henry Purcell.